<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Categories on Harper’s Live Sessions</title><link>https://www.yangcai.dev/categories/</link><description>Recent content in Categories on Harper’s Live Sessions</description><generator>Hugo -- gohugo.io</generator><language>zh-CN</language><atom:link href="https://www.yangcai.dev/categories/index.xml" rel="self" type="application/rss+xml"/><item><title>Everything Written Gets Done：一场小型现场活动的制作复盘</title><link>https://www.yangcai.dev/field-notes/bedroom-cosmos-production/</link><pubDate>Mon, 03 Aug 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/bedroom-cosmos-production/</guid><description>&lt;h1 id="everything-written-gets-done一场小型现场活动的制作复盘">Everything Written Gets Done：一场小型现场活动的制作复盘&lt;/h1>
&lt;h2 id="开场事件背景">开场：事件背景&lt;/h2>
&lt;p>《卧室里的太空》结束以后，我开始复盘这场活动。&lt;/p>
&lt;p>最开始我以为，最大的挑战会是音乐本身：&lt;/p>
&lt;p>乐队是否准备好，
即兴是否会被理解，
设备是否能正常工作。&lt;/p></description></item><item><title>Fuji Rock, Curation, and the Art of Finding New Voices</title><link>https://www.yangcai.dev/field-notes/fuji-rock-curation/</link><pubDate>Mon, 03 Aug 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/fuji-rock-curation/</guid><description>&lt;h1 id="fuji-rock-curation-and-the-art-of-finding-new-voices">Fuji Rock, Curation, and the Art of Finding New Voices&lt;/h1>
&lt;p>Fuji Rock 2026。&lt;/p>
&lt;p>第四次来到这个音乐节。&lt;/p>
&lt;p>但这是第一次，我不是单纯以观众的身份来看它。&lt;/p>
&lt;p>过去的 Fuji 更像是一场朝圣。&lt;/p>
&lt;p>去看喜欢的音乐人。&lt;/p>
&lt;p>去感受现场。&lt;/p>
&lt;p>去寻找一些未知的惊喜。&lt;/p></description></item><item><title>How High the Moon：开始听见爵士语言</title><link>https://www.yangcai.dev/field-notes/how-high-the-moon-learning-jazz-language/</link><pubDate>Mon, 03 Aug 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/how-high-the-moon-learning-jazz-language/</guid><description>&lt;h1 id="how-high-the-moon开始听见爵士语言">How High the Moon：开始听见爵士语言&lt;/h1>
&lt;p>有些曲子一开始只是一个演出目标。&lt;/p>
&lt;p>《How High the Moon》对我来说就是这样。&lt;/p>
&lt;p>为了准备演出，我开始练习 Ella Fitzgerald 的 scat solo。&lt;/p>
&lt;p>最初的问题很简单：&lt;/p></description></item><item><title>Massive Attack, Politics, and the Question of Music</title><link>https://www.yangcai.dev/field-notes/massive-attack-politics-and-performance/</link><pubDate>Mon, 03 Aug 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/massive-attack-politics-and-performance/</guid><description>&lt;h1 id="massive-attack-politics-and-the-question-of-music">Massive Attack, Politics, and the Question of Music&lt;/h1>
&lt;p>Fuji Rock 2026。&lt;/p>
&lt;p>雨中的夜晚。&lt;/p>
&lt;p>Massive Attack 的现场让我产生了一种复杂的感受。&lt;/p>
&lt;p>我知道他们想表达一些重要的东西。&lt;/p>
&lt;p>舞台屏幕上的日文字幕涉及资本、战争、资源掠夺、地缘政治，以及音乐和社会之间的关系。&lt;/p></description></item><item><title>从观众到创造者：我生产了自己曾经羡慕的小众现场</title><link>https://www.yangcai.dev/field-notes/bedroom-cosmos-audience/</link><pubDate>Mon, 03 Aug 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/bedroom-cosmos-audience/</guid><description>&lt;h1 id="从观众到创造者我生产了自己曾经羡慕的小众现场">从观众到创造者：我生产了自己曾经羡慕的小众现场&lt;/h1>
&lt;h2 id="开场事件背景">开场：事件背景&lt;/h2>
&lt;p>很长一段时间里，我都羡慕纽约那些小型艺术现场。&lt;/p>
&lt;p>那些不一定有很多观众、不一定商业成功，却有一种独特生命力的活动。&lt;/p>
&lt;p>诗人、音乐人、艺术家和陌生人聚在一个小空间里，发生一些无法复制的事情。&lt;/p></description></item><item><title>Jazz Practice No. 01: Leaving Air</title><link>https://www.yangcai.dev/field-notes/jazz-practice-no-01/</link><pubDate>Fri, 31 Jul 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/jazz-practice-no-01/</guid><description>A short practice note about time, restraint, and letting a phrase finish before answering it.</description></item><item><title>Fuji Rock 2026</title><link>https://www.yangcai.dev/field-notes/fuji-rock-2026/</link><pubDate>Wed, 01 Jul 2026 00:00:00 +0800</pubDate><guid>https://www.yangcai.dev/field-notes/fuji-rock-2026/</guid><description>第四次来到 Fuji Rock。这一次记录的不只是看到了什么，也包括自己如何聆听。</description></item></channel></rss>